Wednesday, November 30, 2016

HOME WORK - FILM OPENING ANALYSE

Taking of Pelham 123

How is meaning created in this clip through the use of the micro-elements?


Sound

In the clip, there is lots of the sound of train tracks brake, which gives a meaning of emergency encounter or the idea of under pressure. Also, there's hip-hop music playing in the background when the antagonist is present in the scene, which conveys the meaning of streets or gangsta. In addition, there are nondiegetic sounds of the airhorn and ticking music that builds up the tension of danger.

However, the music then changes to a more natural sound ( phone ringing, foot steps) when the location switches to the operation office, that gives a sense of being organized. Which then contact with the sense of chaotic happening in the railway. Moreover, characters use radio, microphone as a way of communicating some effects such as echoing to show the long distance between characters (wide proximity).

Cinematography

The beginning of the clip includes establishing shot that shows the setting of the clip. Which is set in a city with crowded people, showing a sense of the city being very busy. In this clips it constantly showing the location of the characters by showing signs of "subway" or the street name. 


The antagonist is introduced by they statically standing still while the background moving. This conveys the idea of them being isolated form the rest of the world, by standing out from the moving crowd and the feeling of emotionless. The feeling of emotionless is supported by their blank fascial expression. The way that they are all covered with clothing gives a sense of mystery but also the stereotypes of "bad guys" as they soon will commit a crime.


This clips plays with foreground and background frequently through of the clip. Which portrayed a feeling of insider and outsider and that the antagonist is breaking into the the train. 


Mise en Scene

The protagonist is represented as an approachable and nice as in on of the scene his college provides him with a drink and is able to have an informal talk with him. Also, he is portrayed as the one who is in charged and had own his place in the office as others are sitting down looking up at him while he walks around; showing power. He is also represented as having great knowledge in his career area and that he is ambitious as he and his college have been mention complains about the current manager. Overall, he is very active which contrast with the passiveness of antagonist 


Timing is considered an important factor in the clip. As the protagonist been checking his watch and at the end the time changes. It uses lots of fast forward or slow motion effects which contradict with the time. Both the protagonist and antagonist shows that they are both well organized and planned, that contact the sense of crowded and busyness in the environment.


The color pallet in the office is mostly cool colors of white and blue. Which gives a sense of calmness. However, it then switches to being warm color of yellow and orange when the location is in the railways. This shows it being more active, violent. Again, it contradicts each other.

Editing

Includes frequent scene change which supports the busy environment. As it switches into vary location in a short period of time. However, things that are happening are very organized both in the office and how well planned the antagonist are. As mention, this clip cleverly uses the foreground and background as a transition between each scene. Such as people passing in front of the scene or the moving train passing across the scene. This then makes the flip very pacey, making it interesting for the audience to follow up with what is happening.



In this clip it uses parallel editing, showing two separate events happening at the same time. By doing this it is linking the two characters together as one is getting on the train and the other is controlling the trains. 








Monday, November 28, 2016

TYPES OF SUB GENRE WITHIN THRILLER

1) Action Thriller


  • Includes action and thriller in which the protagonist confronts dangerous adversaries, obstacles, or situations which he/she must conquer, normally in an action setting. 
  • would usually feature a race against the clock, frequent violence and a clear antagonist.

2) Psychological Thriller

  • A suspenseful movie or book emphasizing the psychology of its characters rather than the plot; this sub-genre of thriller movie or book. 
  • In a psychological thriller, the characters are exposed to danger on a mental level rather than a physical one.

3) Supernatural Thriller 

  • the film brings in an otherworldly element, mixed with tension, suspense and/or plot twists. 
  • Sometimes the protagonist and/or villain has some psychic ability and superpowers.


4) Crime Thriller 


  • is a hybrid type of both crime films and thrillers that offers a suspenseful account of a successful or failed crime or crimes. 
  • These films often focus on the criminal(s) rather than a policeman. 
  • examples:  serial killers/murders


5) Spy Thriller 


  • In which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. 
  • The sub genre usually deals with the subject of fictional espionage in a realistic way


6) Horror Thriller


  • Type of film that blends the horror and thriller genres: focusing on suspense, tension and adrenaline while having an emphasis on fear, terror and/or gore. 
  • Many horror films tend to cross over into the thriller genre due to their suspenseful and tense nature. 

7) Film Noir 

  • a style or genre of cinematographic film marked by a mood of pessimism, fatalism, and menace.
  • The term was originally applied (by a group of French critics) to American thriller or detective films made in the period 1944–1954

Sunday, November 27, 2016

LOCATION - SAFETY CHECK!

Filming in an abandonded building can be dangerous......

SO WE DID A SAFTEY CHECK...

Saturday, November 26, 2016

LOCATION HUNT

I've decided to work with nana for my course work, so we decided to go to this abandoned house in my village and had a look around for some initial ideas.





There are lots of windows, with many rooms. Which we can play with different perspective and angle to make our shots interesting. The building itself is made of red brick and the building itself is pretty worn out, having black stained. What is interesting is that the building is isolated, which sunlight can be shined through the windows. This gave us an idea of using the idea of shadows.



Inside the building, there is trash lying around which conveys the idea of abandoned and worn out. There are tree vines covering up the building, which an give the idea of being captured.

Wednesday, November 23, 2016

CONVENTIONAL - CREDIT STRUCTURE

PANIC ROOM FILM OPENING.




ORDER: 

  1. Columbia pictures : Studio
  2. Production company
  3. Names: Main characters
  4. Panic room : Film title
  5. Names: Co-starts and supporting actors
  6. Costume/Music/Editors: Back stage
  7. Cinematographer
  8. Producer
  9. Writer
  10. Director

Tuesday, November 22, 2016

AUDIENCE SEGMENTATION

SEPARATE PEOPLE INTO GROUPS:
  • Gender
  • Age
  • life style
  • Ethnicity/race
  • Income
  • Interests
  • Social class
  • Personality



Definition :
" is a process of dividing people into homogeneous subgroups based upon defined criterion such as product usage, demographics, psychographics, communication behaviors and media use. "

SOCIAL GRANDING (UK)


OCCUPATIONS IN EACH CATEGORIES:



ZODIAC COMPOSITION

Our aim is to re-created the composition in following clip from the movie Zodiac.









Tuesday, November 15, 2016

CONVENTION OF THRILLER

After looking at different clips on thriller, I made a google slide annotating the breaking down on different convention of thriller.

Monday, November 14, 2016

ZODIAC

ZODIAC 2007
Directer: Dr. David Fincher


Directed films - 
flight club, Se7en, Gone girl, Alien 3, The curious case of benjamin button etc..

Main cast: 
Jake Gyllenhaal
Robert Downey Jr
Mark Ruffalo


Genre: Thriller
Sub-Genre :  Crime / Serial Killer / Biographical

CONVENTION FOR SERIAL KILLER FLIM.
Calm --> Victim 1--> Investigation --> Victim 2 --> Investigation --> Found some connection between two case --> Tracking --> Closing in on possible killer --> Killer brought to justice.

HOW DOES ZODIAC PLAY WITH SERIAL KILLER CONVENTION.
  • There is no closure - In real life they never caught the Zodiac. 
  • There is no clam - The equilibrium starts with a killing.
  • The investigation is never in control.
NARRATIVE RANGE - CONFLICT 
1. Unrestricted
The audience knows more and sees more than the characters.  
BIG PICTURE = Establishing shots
  • Killings
  • the killer never gets caught
  • 1968 - 1990
2. Restricted
The characters and the audience learn the story at the same time.
  • Details of case
  • How complicated the investigation was
CINEMATOGRAPHY 
High angle shots 
  • often establishing = audience reminded that they are big picture
  • omnipotent ( god like)= cold, unemotional, floating
Close up
  • Inside the cars - TRAPPED = not being able to see the big picture

CHARACTER
  •  Graysmith - Obsessed /Boy scout (doesn't smoke or drinks) / Nice guy / Disorganised = OUTSIDER 
  • Portrayed = He is always separated, isolated or always outside.
    • Toschi - non sense / stylish / experience / balance / Due process (doing things correctly) / Rules





    Thursday, November 10, 2016

    WHY DO WE WATCH SCARY FILM?

    DOLF ZILLMAN



    Excitation - transfer theory
    By experience negative and scary imagery we intensify the positive feelings when the negative is removed.

    We enjoy seeing evil vanquished - relief pleasure.






    ARISTOTLE 


     



    (384 B.C - 322 B.C )
    We are drawn to violent, scary, negative imagery or experience to release pent up feeling of aggression.








    GLENN D. WALTERS

    FOR FILMS TO BE SCARY THEY MUST :


    1) TENSION AND SUSPENSE.
    narrative, use of micro-elements 
     - manipulation of information.

    2) RELEVANCE
    The fears explored by the audience have to be RELEVANT to the audience - they have to believe.

    3) UNREALISM
    We have to have the idea in the back of our head to know that it is not real.


    PURGE CATHARSIS





    We watch negative things so we can PURGE - cleanse a negative thought.